The book (what I wrote a bit of) is, apparently, the Number One best selling free book in the category:

#1 in Kindle Store > Kindle eBooks > Fiction > Genre Fiction > Science Fiction > Short Stories

Woohoo!  I'm a bit of a best-selling (free) author!*   Go and not buy it now!

Two reviewers of the book on Goodreads mention my story: one found it 'a very enjoyable read', the other thought it was 'great'. This is insanely flattering.  I can feel my head swelling as I type. What I should be doing right now, instead of reading and re-reading the only five words of favourable review I'm ever going to get  is write MORE stuff.  I have a story half-cooked at the moment but unless I sit down and start typing over there and not here it'll never get finished.

The new story involves Renaissance toilet paper.  I don't think people are going to like it.







*Albeit in a small way.



 

As Seen on TV

You sometimes hear people say 'Nostalgia isn't what it used to be.' An aphorism which, as far as I can find out, was coined by the author Peter De Vries. (And no, I've not read any of his books either.)

 I'm not convinced. I think nostalgia IS what it used to be: there's just that there's so much more of it these days. Which is maybe the same thing. Either way, I know I am fed up with nostalgia. These days when 'retro' is cool, and pre-teen kids have a TV show in which twenty-somethings reminisce about what it was like to be twelve, you can't bloody escape it.

Remember when nostalgia was new? Something strange? Gods, I miss those days: weren't they great? 

When I was a kid the future was cool, not the past. Space exploration.  Rockets to the moon.  Going to school by autogyro.  Food in tablets.  Domed cities populated by smiling, happy, shiny people with futuristic art on every street corner.   What happened? 

Many many years ago (yes, Eben, when dinosaurs ruled the Earth), and there were only four TV channels in Britain, it was not uncommon for products in shops* to have the words 'As Seen on TV!' slapped on them as part of the packaging. As a kid (and if I'm being honest, as an adult too) this used to confuse me - what was the point in advertising the fact that your product had been advertised somewhere else? What was it about the fact that Product X had been seen on the telly made it more important, or more real, than Product Y which hadn't been advertised on the telly, had exactly the same ingredients, and was half the price? Couldn't work it out.  It just did not compute. 

Then, one day, I got it: Christmas LPs!**  Every year, back in the days before Now That's What I Call Music cornered the market, there used to be, just before Christmas, a flood of  '20 Greatest' Albums, Party Albums, Super Hits Albums etc. etc. all plugged to death on the telly by companies like Ronco and K-Tel.  Products aimed right at the wallets of people who didn't normally didn't buy records - but had relatives who did!

"Ohhhh... I dunno what to get our Doreen, she's into all this reggie punk pop stuff - She likes music.  I know!  I'll buy her a record.  I'll buy her that Ronco's Glen Campbell 20 Golden Greats that's advertised on the telly.  She'll like that."

So. Next time Gran, who never normally goes into records shops, is in Woolworths*** she sees Glen's smiling face peeking out at her from the wire spinner of twenty-seven 20 Greatest Hits LPs and wonders.... "Ooooohhh... so much choice!"  But then she spots a golden star in the top right hand corner of the disc's cover:  'As Seen on TV!'  Hurrah!  That's the one!  'As Seen on TV'.  It was there as a reassurance.  Yes, it was saying, you are buying the product you decided you wanted from the comfort of your armchair halfway through Coronation Street.

"Gee. Thanks, Gran...."

'As Seen on TV' could appear anywhere on the label though it was usually pretty prominent.  Sometimes a big exploding splash of a star sometimes a diagonal banner across one corner.

Fast forward thirty years (Make that 'forty', ed.) and 'As Seen on TV' has escaped the narrow confines of the K-Tel 20 Party Greats LPs and Ronco Chopomatics and has become an internationally recognised logo. 

...a standardized red seal in the shape of a CRT television screen with the words "AS SEEN ON TV" in white, an intentional allusion to the logo of the ubiquitous [US] TV Guide magazine

Wikipedia

This logo is in the public domain.  Anyone can use it and anyone does:  a while back I found (and posted) this:

 As seen on TV - in some countries!  Wow!

Last week in my local garage I spotted this on a dog blanket box:

I miss K-tel albums.






*Gods! There's a concept we'll have to explain to our kids in a few years. Physical shops. Remember them? They're where you used to buy Spangles....

** 'LPs'? look it up, kids, I'm not going to explain everything. I'm an old man; I haven't got time for all this.

*** 'Woolworths'?  ---------- Ditto ----------

The Cover.

If I wish really really hard I can almost imagine it's illustrating my story.

Fanfare, Please!

Time to pass on an announcement:

Announcing the release of The End: Visions of Apocalypse, an anthology presented by SFFWorld.com. Including twelve stories that detail various depictions of the end of the world, the anthology features the work of Michael J. Sullivan, Hugh Howey, Tristis Ward, and nine other writers, all with their own apocalyptic visions. From grim destruction to tragic suffering, and even humor, no version of the Earth is safe. 

Now available through Smashwords. Coming soon to Amazon, and other online e-book retailers

I'm passing on the announcement because a story I wrote a while back is included. One of my stories in a book alongside stories by real published, actually got paid for their books, writers.  Woohoo!  The Story is called Silver Sky.  It's not the best story I wrote this year. But it's not dreadful.  Some of the other stories in there are pretty good.  At least one I would go so fas as to say is excellent.

Go get it.  It's free from Smashwords in a variety of interesting electronic formats. 

Yet Another Brief Snippet From the Screenplay of My Life

INT: DAY: THE KIDS' BEDROOM

Eben and I are playing with his wooden train set.  I've just set out the track and Eben is placing the carriages on the track as I hand them to him.  I pull another engine out of the box.  It is painted black.

ME:

...and here's a black one.

EBEN:

That's means it's evil - it's a BAD train!

ME: 

(Pulling out a blue carriage.)

So this must be the goods train....

He didn't laugh either.




Daughter Number one has a blog:

http://jacksonishot.edublogs.org/

I don't understand it but it probably makes more sense than mine...




.

!!!!!!!!!!!!!

Here's this game I play at the checkouts at Morrison's supermarket. Morrison's, unlike the only other supermarket I use with any regularity (Tesco's), has, near its checkouts, racks of Celeb and Gossip magazines.   During the inevitable tedious delay as the three people in front of me in the queue, in turn, pack their bags, put their bags in their trolley, and THEN start to look for their wallets with which to pay... (after long and detailed analysis during the years I have spent in supermarket checkout queues I can, without fear of contradiction, state that most women do this. Most men on the other hand have their card in their hand as soon as the goods are on the conveyor belt and can't wait to get out of the hideous places.)

The game I play goes like this:  I look at the racks of magazines: Hello, Chat, Now, Heat, and so on and I try to see if I recognise anybody.  That's it.  All these magazines with 'famous' 'celebrities' on the front cover - quite often accompanied by their names in large yellow letters, "Keri dumps Rowan after Fiona fight!", "Louise Holiday Snap Cellulite Shock!" - and I see if I know any of them.  Hundreds of pictures of 'celebs' and I haven't got a scooby who 90% of them are.  Even with their names printed next to them and large arrows pointing at their paparazzi-snapped, bikini-clad buttocks. One of these days I will succeed in not recognising anyone.  This is my aim.  If I don't recognise anyone at all I will give myself a prize.  Buy a packet of chewing gum or something else from the impulse-buy, small child pacifying rack of sweeties next to the magazines. 

Most of the time I am let down by the fact that I recognise the skinny one from the Spice Girls who married a footballer, and the woman with all the teeth who married some royal bloke last year (or was it this year?).  If it wasn't for them I would have won lots of times.  I'm starting to get bored with this game,  Skinny and Teeth appear far to often to make it fun any more, so I'm thinking of starting a new game based on a chance discovery I made in Lidl's.

Lidl's sell magazines too and quite often on a Thursday the Woman Who Brings the New Magazines will leave the old stock in a pile by the door for people to help themselves. They're usually shit, breathy, carcrash "Pervy Husband Made Me Eat My Own Underpants as my Dog Watched!" type crap.  Last week the only one left when I did my shopping was last week's copy of Inside Soap.  For some stupid reason Inside Soap really appealed to me.  I can't find this particular issue on the web and I couldn't be arsed to scan it but it's a bit like this recent copy: (Actually this IS the copy I have.  My mind's going.)

It's a real mess of a cover.  They all are.  Magazine cover design is just hyperactive crap these days. But I was struck by the number of exclamation marks on the front of this one.  There are thirteen of the buggers.  'Carla & Peter Shock Split!', 'Cain Loses it!', 'I'll Kill You!', 'Wedding Day Carnage!' etc. etc.. The only things that don't seem to have a ! behind it are the barcode and the price.  The main headline gets two! 'Alfie's Revenge! He dumps cheating Kat for ROXY!'

Wow!

The new game is to find the magazine in Morrison with most exclamation marks! Every Week! Beats Not Recognising People!   Beats Throwing Rocks at the numbskulls in front of me who only wake up the fact they have to pay for their shopping after they have packed it!

I haven't dared open the magazine.  God knows what the inside is like.

 

 http://www.insidesoap.co.uk/

Dad! Buzz's Head's Got Stuck up Mr. Potato Head's Bottom...

I like stuff.   I like charity shops because they are full of stuff.  Sometimes the stuff in charity shops has to become my stuff.  Stuff transference happened today.  The piece of stuff was this:

 The Official Halley's Comet Society Theme 7" single

This is educational stuff.  Not only did I discover there is (was) such a thing as the Halley's Comet Society but that it had an 'Official' Theme tune too!  Huzzah!  I had to have it.  There can't be that many 7" vinyl singles endorsed by the European Space Agency.

Actually, what really sold me on buying this was the photo of the composer on the back.  In years to come when my kids get on at me for my bad dress sense and weird facial hair I'll threaten the little buggers with this photo and cow them into silence.

Thank you Paul Hart.  Whoever you are.  I may actually get round to listening to your single one day.

A Thing I didn't Know Existed Yesterday - But Now NEED

WARNING.  This Post's Geeky Fan Boy Nerd Rating is High

I have long loved the wonderfully dreadful Italian, post Star Wars, Barbarella-lite, film StarCrash for all sorts of reasons. Though, if I'm honest, mostly because it has teenage crush Caroline Munro running around in a see-through space suit. 

 It is a bewilderingly bad film that leaps about all over the place, doesn't make much sense when it gets anywhere, but manages to be vastly entertaining all the same.

I have over the last few years come to appreciate the novels of A E van Vogt which often induce a similar sense of bewilderment in me. I'm sure a lot of his books made a lot of sense to him when he dreamed them up (literally) but they leave me deliciously baffled.

It was no surprise then to discover that the writer of StarCrash, Luigi Cozzi, was a fan of  van Vogt and had 'use[d] novels of A.E. Van Vogt as a model...'*.  It shows. The film has a very Vogtian jumpy, pulling rabbits out of thin air, WTF?ery feel.

What was a surprise, and a delight, however was to discover that van Vogt wrote the script for an unmade sequel to StarCrash called Star Riders**

WHICH I HAVE TO READ - RIGHT NOW!


Does anyone have a copy?


*http://www.devildead.com/luigicozzi/...ozzi-uk-2.php3
**http://www.golobthehumanoid.com/star...ar-riders.html

Though Star Riders never got made there is a film that purports to be a sequel. Giochi erotici nella 3a galassia (aka Escape From Galaxy 3 , StarCrash 2, Space Trap 1981)  I watched it last week. It has very little to do with the original other than  ALL of the special effects shots from it come from StarCrash. The film makes very little sense, not that anyone was really trying, and eventually dissolves into the softest softcore porn film ever made. Right at the end our heroes pull some hitherto unmentioned shooting lightbeams out of their eyes superpowers out of thin air, dissolve the bad guy and get naked again. Cheap, boring, and not worth a second viewing.

Trying to kickstart my blogging habit.

I realised it has been MONTHs since I did one of my tedious-to-everyone-but-me, every-film-I-have-watched posts.  To spare you a case of terminal scrollfinger while looking for the vaguely-funny-things-my-kids-say posts, the Tedious Film Lists are now to be tucked away over on a spare blog:

Every Film I Watched in June:

Every Film I Watched in July:

Every Film I Watched in August:

Snappy titles huh?

Another Brief Snippet From the Screenplay of My Life

Monday:
Daisy has a day off school. She's 'not well' - my diagnosis is General Non-specific Duvet Lurgitis.  As an occasional sufferer myself I recognised it instantly and knew the cure; a day in bed watching crap on the telly works wonders.

Thursday:
Driving the girls into the Fort to their drama class I hear the following snippet of conversation from the back seat:

Daisy: 

What happened in school on Monday?

Holly: (Gleefully)

Didn't anyone tell you? Johnny Depp
came and filmed a bit for his latest
 film and then he had his photo taken
 with everybody. It was awesome!

Daisy:

What was for lunch?





.

Hello, much neglected Blog.  Just to prove to the world I am still alive here's a picture of a bit of packaging.  Merriol bought a tomato planter recently and this is part of  the box it came in:


 

Zoom!  Enhance!



Some Countries! Wow!  Mostly, I suspect, Albania... late at night... on a shopping channel.

Daisy and Eben were having a raspberry blowing contest.  The one who made the longest loudest rude noise would win.  Holly didn't take part.  She watched them at it for a bit and said, "Oh survival of the fartest," and walked off.

Not a bad gag for a 10 year old.

Made me laugh anyway.

This, Apparently, is What I look like When I'm Shouting

'Daddy Shouting' by Holly

Nerts!  A story I submitted for a competition didn't win.  Boo hoo! Ach well.  It's an OK little story too.  I was almost happy with it. I might send it off somewhere else.

My last post, the pants cartoon, has got two Google + things.  I have no idea what this means.  I think if you get enough of them you can trade them in for consumer goods, like Green Shield Stamps.  And I thought of a nice wee joke that I might turn into another one in a couple of days.... Watch this space.

Toonery

Ages since I felt the urge to do a cartoon. Been too busy sinking my creative brain juices into writing short stories with varying amounts of success. 'Success' here being defined as me:

• a. finishing the story and 
• b. not rereading it two days after I do and deleting it because 'it's crap'. (There's been a lot of that.) 

Holly lays claim to have come up with this joke; she may well be right.

My attempts to avoid the Olympics got off to a flying start on Saturday when the Coca-Cola © Olympic Coca-Cola © Torch Coca-Cola © Product of Hope was paraded past Glencoe.

While it was in Glencoe - which is dangerously near my house, I was half way across the country buying the usual boxes of tatty old  paperbacks and dubious Italian Eurosleeze DVDs from second-hand shops.  My day off.  So successful was my day off being that in the afternoon I ventured as far as the Big City.  Inverness! (pop. 58,963 - round here that's like Metropolis, Gotham City, and Greater LA combined.)  More tatty old  paperbacks!  More DVDs!  (I had a sandwich too!)  Eventually I got fed up with the mad giddy whirl of city life and headed for home. I decided to go by the shortest route.  A route which, if I had had the forethought to think about it for a few seconds, I would have eschewed it for a longer one*.  For on the way south, at Drumnadrochit to be precise (pop. 813 - told you), I encountered the the Official Coca-Cola © Olympic Coca-Cola © Torch Coca-Cola © Product of Hope Round Britain-athon coming the other way.  Buses, vans, thudding twat music shouted over by some halfwit local radio wannabee holding his microphone too close to his platitude dribbling gob (so all you heard was this shouty unintelligible babble) surrounded by the entire Northern Constabulary.  I have never seen so many policemen in one place.  I didn't know we had so many police vehicles in the Highlands.  It was incredible.  The first load I encountered were on motorbikes.  There was a whole display-team'sworth of the buggers, all flashing blue lights with their riders wildly gesticulating for oncoming vehicles like me to pull over and let the circus behind them get past.

Luckily I was right next to the bus stop.  (Or it might have been the other bus stop, I mean Drum' is a pretty big place. 813 people, wow!)  Anyway I pulled over, switched off the engine, and waited.  Got fed up with waiting, pulled out one of the staggering amount of tatty old paperbacks in the car and read for a bit till it was time to go.  I missed the Olympics by that much.  I was ordered to avoid it by a policeman.  That's my excuse.

Driving south I really felt sorry for the people trapped in the three mile tailback this farce was causing and got fed up with being amazed at the number of police vehicles parked in lay-bys. There were dozens of them.  Why?  What was going to happen?  This is the Highlands of Scotland.  Nothing ever happens here.  Even when something does happen nobody notices! How much is this police overtime costing?  Who is paying for all this?  Bet you it's not fucking Coca-Cola ©.

* I love the word 'eschewed',  it's almost as good as 'erstwhile'.

May's Movie Milestones

1. Dans Paris (2006) - "Luminous, enlightening and often hilarious..." says the Time Out quote on the front of the case. I have long avoided buying books with the word 'hilarious' anywhere on the cover, because they never are; they are mildly amusing at best, downright baffling, miserablist shite at worst. I now think I am going to have to do the same for films. I'm sure Dans Paris' 89 minutes (was that all??) must have been stuffed full of knowing-critic, Nouvelle Vague homaging yockfest moments but to us mere mortals it looked like the same old French cinéaste tripe-twaddle warmed over. The only real thought I had during the whole show was: why are French film-makers obsessed with small breasts? Two actresses get their kits off during the show and, sad, middle-aged bloke that I am, I have larger boobs than the both of them put together! I think there's some sort of secret annual prize at the Cannes Festival for the smallest breasts in a French film. 'Le nipple d'or'. (Any films with Charlotte Gainsbourg in them are, obviously, not allowed to compete.) Googleing the exact phrase "French actresses with large breasts" gets zero results. (Apart from, now, this one.) In the interests of fairness I should point out there is an equal quantity of male nudity too.
   
   
2. Snow White (2001) - TV movie version with Miranda Richardson having fun as the evil Queen. Not good but but not terrible. The kids liked it. Though the presence of tarmacked roads and raccoons in Generic Euro Fairytale land was a bit odd.
   
   
3. La guerra dei robot (1978 ) - I can't help wonder how or why the translators called one of the characters 'General Gonad' but I'm sure they had their reasons.
   
   I can recommend La guerra dei robot for many many reasons: the delirious script, "It's crazy! A harvest of human flesh!" the music, which is dead pure early experimental synthcrap; the 'climactic' space battle, which is one of the dullest and most repetitive pieces of film making ever committed to screen - and I do include some of Andy Warhol's early efforts here - but mostly I recommend it because its got Yanti Somer wearing skin tight wet-look leather. And that can't be bad.
   
   
   
   
   
   
4. Maverick (1994) - Enjoyable nonsense.
   
   
5. Danger: Diabolik (1968 ) - A Trash Masterpiece. One of the best scores Morricone wrote. And the sexy as hell Marisa Mell never looked better. Love it.
   
   
6. Stranger than Fiction (2006) - In which Will Ferrel finds an odd enough script that allows him to go for a career-switch 'serious' role without pissing off his comedy fans (like Jim Carey did with the Truman Show)I was thoroughly enjoying it till it fell to bits and copped out in the last couple of minutes. God damn the Hollywood upbeat fucking 'can't kill the hero' endings. That was the whole point of the film! He had to die!.
   
   
7. Inferno (1980) - Dario Argento's semi-sequel to his Susperia. I've never seen Susperia. I think I may have to go look it out. Inferno wasn't a good film by any means - basically the same old same old Italian horror shtick with endless corridor wandering characters fumbling their way to gruesome deaths - this time accompanied by a thundering bonkers OTT score by a third of thundering bonkers OTT prog-rockers Emerson, Lake and Palmer (the Emerson third). Parts of it were so odd that I just have to see the original.Inferno is another of the, now released uncut, 'Video Nasties' of the 1980s.
   
   
8. The Brain That Wouldn't Die (1962) - a rewatch of a particularly wonderful bad film with some great great lines. I particularly liked our mad doctor's speech to his assistant when we first see the (accidentally) severed head of his fiancée being kept alive by three test tubes, a bubbling beaker of Ingredient X, and a couple of G cramps.  It's delivered with a sincere passion too.  The Mad Scientist's Prayer :

   "What you see is real. What I've done, I've done, and what I've done is right - it is the work of science."

   Amen.
   
   
9. Liar (1997) - interesting.
   
   
10. The Lodger (2009) - the seventh or so screen version of Marie Belloc Lowndes' Jack the Ripper story. Pretty dull despite the ADHD camera work. No style left unturned - including a clumsy and pointless Hitchcock homage far too early in the show to make any sense. Second film in a row with the central American part played by an British actor - the part was central, the character wasn't someone from Belize or Honduras - Tim Roth in Liar and Alfred Molina in this.
    
    
11. Django (1966) Over-long (at 90 minutes it dragged) plotless, rambling Spaghetti Western which only exists to make Sergio Leone's films look like staggering works of genius. (Which in some ways they are.)
    
    
12. The Last Lovecraft: Relic of Cthulhu (2009) - short, very cheap, occasionally vaguely funny, comedy based on the works of H P Lovecraft (and there's a idea you don't see every day).
    
    
13. The Army of the Dead (2008 ) - incredibly tedious, lost in the desert, re-awakening an ancient curse, horror shot on digital (the second unit stuff looks like it was done with a camcorder, as if they had decided to do some found footage but forgot when it came to the edit.)
    After watching it about hour (or rather staring at the screen waiting for something to happen) I flipped up the DVD player's On Screen Display to discover that only about 30 minutes had passed. After that the most fun I had with this was spotting all the usual zero budget, zero wit fuckups; those moments where you saw the tyre tracks of vehicles from the rehearsal or first take in virgin desert - often in fairly tight shots, moments where 30 seconds with a brush would have eliminated them The moments where you see shadows of crew members when there shouldn't be anyone else around; and the really lovely moment where our hero and heroine, holed up in the middle of the night in 'an abandoned radio station' try to ignore the daylight coming through the holes in the blinds because no one had bothered to drape a piece of blackout material the other side of the window (or the other side of the blind for that matter. It's not as if anyone had to leave the room to do this.). Badly written, ploddingly directed and most of the 'actors' involved would have trouble holding down a day job as a walk on part in a daytime soaps. Crap, but, worse than that, boring crap.
    
    
14. Mystery Men (1999) - Umpteenth watching.
    
    
15. Split Second (1992) - Another Rutger Hauer SF movie that I'd never heard of until I found it in a charity shop. Just how many straight to obscurity SF films did this bloke make? This one is set in the not too distant future of four years ago ( 2008 ) and is the usual mismatched buddy cops chasing serial killer crap set in a London ankle deep in water, overrun with rats, and populated by people like Michael J Pollard, Kim Cattrall, and Pete Postlethwaite. Once the film has laboriously set up the usual mismatched buddy cops chasing serial killer crap set in a London ankle deep in water stuff - it then lurches about, crashing helplessly from one undercooked cliché to another and getting progressively more desperate and crapper as it does so - till some sort of critical mass of stupidities is reached, and then someone (probably the cast) suddenly decided they were making a comedy and for the last third it turns into quite a weirdly, OTT, stupidly funny film - till the crappy rubber monster turns up in the last couple of minutes. Then it falls flat on its arse again.
    
    
16. Barbarella ( 1968 ) - again. I like Barberella.
    
    
17. Alien Cargo ( 1999 ) - A made for TV movie that looks like it's going to be yet another deep space OMIGOD! THERE'S SOMETHING ELSE ON-BOARD EATING PEOPLE! piece of SF wallpaper but turns out (after a clunky opening act) to be a not bad piece of 'hard SF' with no huge plasma guns, no self-destruct buttons, no men in rubber suits or any of the other usual Sci-Fi channelly crap. An amazingly unusual downbeat ending too. Not that the ending is amazing but the fact that it is downbeat at all is remarkable - our likeable hero and heroine don't make it. They're not dead at the end of the film but they are well and truly fucked and resigned to their fate, and have just said goodbye to their only hope of rescue. It's a good inevitable ending. I have watched far too many films where some amazingly out of nowhere, pulled out of the scriptwriter's arse, twist ending saves everyone in the last minutes of the film. Sometimes when a film has engaged me, and even when I like the characters in deadly peril, I sometimes just sit there willing the film to end badly. Sometimes I want the film-makers to have the courage to let the story run where it has to and not manufacture a happy ending just to keep the card-filling preview audiences from having to actually think. Five stars to these guys for doing that.
    
    EDIT: Thinking about it, the ending totally saves this film. Even though I called it a 'not bad piece of 'hard SF'' it still had more than its fair share of "erm, I'm not sure that's right", and "Ooh, isn't that handy for our heroes," moments. Most of them forgiven, in hindsight, because of the ending.
    
    (No stars to me for splitting that infinitive.).
    
    
18. Encounters in the Deep (1979) - There are some films which are just bafflingly hypnotic in their dullness. Encounters in the Deep is an Italian Spanish co-production set in the Bermuda Triangle in which nothing happens, then it happens again, and then again and then, in case you missed it the first couple of times, the whole cast diligently do nothing again - again, sometimes underwater, and then it just stops, after an extremely boring sequence of nothing happening which may (or may not) be the climax of the film.
    
    
19. Centurion (2010) - Deliverance with Romans.
    
    
20. My Darling Clementine (1946) - Great film. (apart from that producer added shitty studio insert shot right at the end).

RIP VHS (again)

The VHS tape is really dead this time.  I had already written its obituary back in 2005 when the local branch of Blockbuster stopped stocking them in their second-hand bins.

Despite my reading the rites the tape clung on though, appearing in vast quantities in charity shops.  Occasionally, beneath the tottering piles and boxes and boxes of series of Friends and Star Trek: Voyager,  I would find a gem; a never before heard of, never to be seen on DVD, piece of low-class dross with chrome effect lettering on the cover.  I found some terrifically dreadful films like that.  Slowly over the years the tapes came down in price.  Eventually they became so cheap that not buying them would have been rude.  Ten tapes for £1 was the cheapest I paid, though there was one shop I knew of which gave the things away in the end.  They had a big box of tapes from which you could just help yourself - if you could find anything worth watching - which I rarely did.

But, slowly though, shop by shop, over the last couple of years, the hand written...

 We No Longer Accept Donations of Video's 

 ...notices would inevitably appear on the shops' doors.  (Complete with misplaced apostrophe.)

Last week the last bastion, the last redoubt, of VHS in Lochaber fell. The final misspelled notice went up on the door of the Disability Action shop in Caol.  There are no longer any charity shops in this area that sell VHSs.  

So, unless a miracle happens, the last Rutger Hauer SF film I have never heard of that I will buy on VHS is Split Second (1992),  a particularly dreadful piece of cinematic poo which I will now be forced to treasure for all the wrong reasons.

 

---------------- .o0o. --------------- 

The kids got their school reports today:

'Holly reads with great expression and has a good understanding of what she is reading.  She needs to learn to read a bit slower when reading out allowed.'

There really is no point is there?

I missed the Jubilee!  Hurrah! Hurray!  In fact I only found out when it was actually happening - as opposed to vaguely knowing that it was sometime this year - after it was nearly over. Three days of supercilious toadying missed by accident, only one avoided on purpose.  

This bodes well. 

I've been treating missing the whole, four day, Royal Arse-lickathon as a warm up event for the really big piece of avoiding I am going to be doing later in the year. 

The Coca-cola © Olympics.

Last time I managed to miss the whole thing apart from a few radio interviews with gasping Lycra-clad members of  'Team GB' who had managed to crawl to seventh place in some twenty five second event which had taken them four years to prepare for and the BBC two hours to cover.

I used to listen to the radio a lot back then.  I don't now.  I stopped listening to it a couple of years ago in preparation.

There is a potential fly in the offing though*  in that one of the Coca-cola © Official Olympic Torches is being jogged down a local road for a few minutes before being shoved in the back of the Coca-cola © Official Olympic minibus and driven to the next Coca-cola © Official Olympic Torch Jogging Photo Opportunity.  See History in the Making!  'Man Carries Cigarette Lighter Down Street - A Nation Rejoices'! 

I'm going to bed for a couple of weeks with a pile of books about THAT big.  Wake me up when it's over.

*This week's FREE mixed metaphor.

Nuts!

I hate Google.  I mean it's really really really useful tool, and I use it all the time - and not just to check my spelling, but sometimes it can be a disheartening and sobering tool.

Today ferinstance I had the blinding and overwhelmingly gigglesome thought that Harper Lee's second book had she ever written one should have been called 'To Mock a Killing Bird'.

Only to find 45 seconds later that the phrase, even when wrapped in quotes, returns 14,700 hits. 

Ah well.   It was funny while it lasted.